Actors in danger: 6 or 8
Enormous stages: 1
Savage dramatics: coming soon
Bonk bonks on the head: 6 or 8
Bonk Bonk on the Head
I'm having a fun time managing the tricky logistics behind multiple POVs in a single scene. My heroes right now are the troup of actors, mentioned above. So far, four of them have significant things to say, but I've made sketchy references to a couple of "extras". Hum...they might have to be emphasized in the second draft. But I've been flipping around between different members of the group as they go into a tense scenario. It's an interesting game; I'll leave it up to my revision to decide if it works.
Do any of you flip around among perspectives as you describe a scene? Does this raise tension, or scatter the scene's energy?
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