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11 August 2011

Why I Write Horror Part 1: Dad

When I worked on my guest post, "Why I Write Horror," at Wicked & Tricksy a while back, I cheated. I wrote about one reason why I dig the dark stuff, but in fact there's a whole grab bag of tidbits from my personal history that contributed to making me the horror writer I am today. Here's one.


Source
My dad is a great storyteller. Although he was a construction inspector by trade before he retired, his real gift lies in converting the daring exploits and bizarre interludes of his youth into sheer entertainment. On a regular basis when we were growing up, Dad would have me and my brother howling with laughter until we couldn't breathe and we thought we would expire.

In terms of sheer craft, I admire Dad immensely. He has a knack for building intrigue and using detail to peak interest as effectively as any seasoned novelist. I aspire to be able to set 'em up and knock 'em down as well as my dad.

But the real value in growing up hearing his stories for me lay in the persistent (or I should maybe say, pernicious) thread that ran through all of his tales. Everywhere in his stories are hints of threat, glimpses of the edge of reason or the neat boundary described by the law.

There's the casual violence: a story about a math teacher who banged a kid's head against the chalk board for talking in class. The high school gym instructor who dealt with insolent students by making them put on the gloves and go a couple of rounds in the ring with him.

There's the adult stuff. For a while, dad's family lived with his grandfather, my great-grandfather. Great-granddad was, by all accounts, an interesting fellow. He sold booze out of his home at a time when it was only available if you bought it from a bar. For hardcore alcoholics, this was a difficult time, since you couldn't get rid of your morning shakes until the bars opened later in the day.

When my dad was still a schoolkid and all this was going on, his bedroom was at the front of the house on the ground floor. Some mornings, the local butcher would come and knock on the window to wake my dad up. Dad would go to the kitchen, pour the guy his morning drink, take his money, and fix himself a bowl of cereal. While Dad ate his cornflakes, the butcher would talk to him about history.

"He really knew a lot," Dad always says.

And then there are the stories about the fighting cocks. Great-granddad raised them. Dad has a lot of stories about these animals: about Great-granddad tossing a rooster in the air repeatedly to exercise him and strengthen his legs so he would be strong in a fight. About the razor-sharp steel spikes the owners would attach to the roosters' legs that would turn any match into a fight to the death. "Saturday night's loser was Sunday night's dinner," Dad says. Dad tells a great story about driving with his dad and granddad over the border into the U.S. on their way down to Buffalo for a fight. "It was my job to keep the roosters quiet in the back seat of the car when we crossed the border," Dad tells us. "You had to keep the cover over them and not let in any light, or they would start making noise."

For me, raised in a small town where nothing untoward ever seemed to happen, Dad's stories spoke to a wider reality, where almost anything was possible, and life served up equal helpings of badness and wonder. Dad is one reason why I write horror.

25 July 2011

Book Giveaway for Grad Students

This is not so much a draw or a contest as an offer to pass on genuinely helpful books to someone who can use them. As I've mentioned before, I attended grad school and earned a PhD. in English Literature, with a specialization in Renaissance drama and a twist of medical history. I have a handful of books from that time that I can no longer use, but which are good and helpful.

If you are a grad student, and especially if you are a doctoral candidate in the arts or social sciences, and you would like these books, I will mail them to you. Not to frown upon science majors, but these books are skewed toward the arts / social sciences side of campus, where publishing a book when you're fresh out of grad school is de rigueur these days. I will mail them anywhere in the US or Canada.

Just drop me a line in the comments on this post and include an email address that I can use to contact you. This is a first come, first served situation. I do ask that you be in grad school and planning to complete a PhD in the arts or social sciences. 


Writing Your Dissertation in Fifteen Minutes a Day: A Guide to Starting, Revising, and Finishing Your Doctoral ThesisJoan Bolker, Writing Your Dissertation in Fifteen Minutes a Day

This is the single most helpful how-to-write-a-thesis book I encountered during grad school. My copy is unmarked but a little wrinkly because I read it multiple times and possibly put it on a shelf under a leaky houseplant for a while. It saved me a lot of headaches as I worked out how to do the dissertation.






From Dissertation to Book (Chicago Guides to Writing, Editing, and Publishing)William Germano's From Dissertation to Book

Let's say you get your thesis finished and you defend it successfully and you've got your shiny PhD in hand. This book is aimed at helping you convert that project into a publishable book. My copy is in good shape with scanty highlighting throughout. In today's academic environment, where you are expected to emerge from the womb clutching your already-published book, it might help you to keep in mind the dissertation / book relationship throughout the writing process - save a little time, you know?


Getting It Published, 2nd Edition: A Guide for Scholars and Anyone Else Serious about Serious Books (Chicago Guides to Writing, Editing, and Publishing)William Germano's Getting It Published

My copy is the first edition, not the second edition pictured here. It is fairly pristine, and is about publishing your serious book once you've finished converting the thesis into a book.





The Thesis and the Book: A Guide for First-Time Academic AuthorsVarious Authors, The Thesis and the Book

Along the same lines as From Dissertation to Book, this is a collection of essays about common pitfalls and solutions as you work toward publishing your first academic volume. My copy is fairly pristine.

22 July 2011

My Guest Post at Wicked & Tricksy

Over at Wicked & Tricksy today I've got a post up called Why I Write Horror. Really it's about my earliest defining encounter with a [literary] ghoul who just wouldn't leave me alone. Go check it out. While you're there, poke around W&T if you haven't had the chance to yet. There are many fine and enlightening essays up about writing speculative fiction. It's good stuff.

Writing that post inspired a trip down memory lane. I plan to post more about my early encounters with horror over the next month or so.

Source: the deliciously gruesome Keith Thompson 

Couldn't Have Said It Better Myself

epic win photos - Apropos Sign WIN

20 July 2011

How You Found Me

Further to L.G. Smith's post on Bards and Prophets about the surreal contents of her search statistics, I bring you the following (and welcome, if any of you came to me via any of these):

feng shui writers
dose [sic] dan aykroyd strangle albert brooks?
people who liked when dan aykroid [sic] strangled albert brooks
bubonic plague
chakra-caduceus images
friendly tulpa
fisticuffs queensbury
hair shirt might
hairshirtday

That last one is the most uncanny for me. The short story I wrote based on my Hair Shirt blog post was called "Hair Shirt Day."

It's like I've already got a reader for it, and it isn't even published yet.

To date, my most popular post is by far The Broken Aquariums of Will Ferrell. It's about a Boston Terrier snore-induced dream. I'm pretty sure that just about everyone who stops by to read it is confused and disappointed. Then again, a little cognitive dissonance is good for the soul, right? 

08 July 2011

Brains Are Tricky Business

I'm a big fan of the leaky, insubstantial, and unreliable aspects of our experience. As someone who has spent a lot of time working on opening up my perceptions (mostly via meditation), I am all too familiar with the idea that our minds are shaped by what we believe we should be seeing. We constantly discard evidence of the senses that doesn't square with consensus, culturally approved reality. Once you begin open the perceptions, things get really interesting, really fast.

Many people are skeptical of the idea that observation, that time-honoured tool of the scientist, is not all that reliable. But the brain stumbles on certain forms of sensory input. Some things we cannot perceive accurately, no matter how hard we try.

I give you the McGurk Effect. (If you close your eyes, you'll hear "ba" again.)

06 July 2011

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